Dave Kelly Martial Arts

Adding Exercise to Your Training – The Martial Artist’s Greatest Conundrum…Solved

by Steve Grogan

Many martial artists have a long way to go when it comes to physical fitness. This is due to the following:

  1. They are looking at exercise in the wrong way.
  2. They think that, with all the time they devote to martial arts training, there is no way they could fit an exercise routine into their schedule.

Their opinions on both of these fronts is misinformed. The goal of this article is to set the record straight.

First, you will be given an alternate way to look at exercise.

Second, you will learn about a method of exercise that not many people know about: High-Intensity Resistance Training.

CHANGING YOUR PERSPECTIVE ON EXERCISE

There are many martial arts students who don’t see any benefit in strength training. This is because martial arts styles sell the promise that if a person knows more about body mechanics and the proper way to generate power, they will be able to hit harder than a bigger, stronger opponent.

This is true to a certain extent. However, this statement reveals that martial artists are missing the point of the exercise. Its purpose is not mainly to gain muscle (that is just a byproduct); its purpose is to make you healthy.

Many martial arts teachers look down on strength training because they believe in the myth that lifting weights will somehow make you tense all the time. (Nothing could be further from the truth, although that is a subject for another article.)

Lifting weights will not make you a muscle-bound oaf. That is an incorrect assumption for two reasons:

  1. Not everyone even has the genetic potential to gain as much muscle as the guys in bodybuilder competitions.
  2. Having more muscle is not a bad thing.

Stronger muscles allow you to perform your techniques with more explosiveness, which means more hitting power. Since hitting harder than your adversary is the name of the game, it is obvious how being stronger is ideal.

With that covered, we must now answer every martial artist’s greatest conundrum: “How could I possibly fit an exercise program into my schedule when I already spend so much time going to class, practicing forms, sparring, etc.?”

THE ANSWER – HIGH-INTENSITY RESISTANCE TRAINING

Most gyms and personal trainers push programs where you need to work out five to six days per week, for an hour or longer. Given the amount of time that a martial artist spends on going to class and training on their own, this is a tall order.

Plus, we cannot ignore the fact that martial artists have more in their lives than just their art. They have full-time jobs (complete with commute time), romantic partners, kids, friends, and errands. In other words, they are just as busy as everyone else.

Another problem with these programs is that there is not a lot of downtime between workouts and/or martial arts classes. If you go to a Gut-Busting Boot Camp on Monday night and then go spar on Tuesday night, you are more likely to get injured.

The more you exercise, the more wear and tear you put on your body. With each opening and closing of your joints, you run the risk of injury, not just in the form of hurting the joints themselves, but also of muscle pulls and the like.

Therefore, the answer must be the opposite of what the “experts” say: we need less exercise. This sounds counterintuitive, but if you change how you think about exercise, it will make sense.

Here is how you look at exercise: think of it as medicine.

Let’s say someone is diagnosed with some physical ailment that will require them to constantly take medicine for the rest of their lives. The doctor puts them on Medication A at a dosage of 10mg and says, “Take this twice a day.”

There is no effect.

The doctor says, “Try Medication B at 15mg, once per day.”

Still no change in the patient’s condition.

The doctor says, “Hmmm…you felt a little better on Medication A, right? Just not completely better. So…let’s put you back on that one at a dosage of 20mg, three times per day.”

The patient winds up in the ER. Feeling guilty over his error, the Doctor looks over the charts once more and says, “Okay, same medication, but 15mg twice per day.”

Suddenly, the patient is doing wonderful. In fact, they rebound so dramatically that no one suspects anything was ever wrong!

What is the lesson we can learn from this?

To paraphrase Dr. Doug McGuff (author of the book that got me interested in this method: Body by Science), it needs to be the right medication, the right dosage, and the right frequency.

The same holds true of exercise. Do too much, and you might overtrain. However, if you do too little, your muscles will atrophy (break down), and you’ll lose whatever gains you had.

WHAT IS THE HIGH-INTENSITY RESISTANCE TRAINING DIFFERENCE?

Executive Decision: I am going to abbreviate this as “HIRT” going forward to save some space.

Go to the gym, and what do you see? There’s some guy in the corner doing bicep curls, making the weights go up and down as fast as he can so he can bang out some arbitrary number of repetitions within a certain time limit.

Not only is this dangerous (swinging super-heavy weights in a fast manner can definitely lead to ligament tears, muscle pulls, etc.), but it isn’t even really a workout because he’s making the weight go up and down via momentum instead of muscular work!

HIRT workouts consist of a series of anywhere from 5-12 moves. Usually, there is one exercise per muscle group. These are performed in a slow and controlled manner; ideally, you want to move the weight for at least five seconds in both directions. When your limbs are at their fullest extension, you do not lock them out. (Otherwise, this means your skeleton is supporting the load, and there is no tension on the muscle.)

Conversely, when you bring the limbs back, you do not set the weight all the way down. This is because your muscles are in their weakest position at that point, and it will be harder for you to get the weight moving again.

You do this for one set. Then you move to the next exercise. Keep going until you are done, and that is it.

Yes, you read that right. With HIRT, there is:

  • No warm-up. You move so slowly that there is no need.
  • No stretching. In fact, stretching can do more harm than good. (That would be best explored in another article.)
  • No cooldown. Actually, that isn’t 100% true: there is a cooldown portion: when you walk from the gym to your car.
  • Also, no need for a separation of strength training and cardio days. You will find that, aside from getting stronger, the HIRT method gives you cardio improvements.

HOW DOES HIRT BENEFIT A MARTIAL ARTIST?

Now that we’ve outlined the way to do a HIRT workout, let’s look at the reasons why this is perfect for martial artists.

  1. It is time-efficient. When you are doing only a half hour once a week, it should be easy to figure out how to fit martial arts training and exercise into your schedule.
  2. No risk of injury. Due to the slow and controlled manner of the exercises, there is no way you are going to pull or tear something. In fact, you won’t even need a warm-up!
  3. No risk of overtraining. The danger of the 6-days-per-week routines is that, when combined with martial arts training, the odds increase that you could hurt yourself. If you’re working out only once a week, that is nearly impossible.

The reason I say “nearly” impossible is because that depends on how strenuous your martial art training is.

The main concern here revolves around the activity of sparring. If your school has sparring, you’ll want to skip that activity for at least two days after your workout.

You can still practice forms and techniques, as well as run through some self-defense scenarios, but you will be far too drained to do anything as intense as sparring.

WHAT DO HIRT WORKOUTS LOOK LIKE?

I am not asking anyone to watch this entire video. (It is 41 minutes.) However, it is here for those who want to know more.

Follow Me Through My High-Intensity Resistance Training Workout

CAN THIS BE DONE AT HOME?

After seeing all the fancy equipment in that video, you might wonder, “Can I do it if I don’t have access to all that gear?”

The answer: YES! In fact, here is another video where I show you how little gear you’d need to do this at home:

Gear Needed to Do HIRT at Home (Plus a Cat)

CONCLUSION & ONE FINAL RESOURCE – THE AUTHOR HIMSELF

Hopefully, this article has presented a clear picture, showing why this training methodology is perfect for a martial artist.

Before leaving, I want to extend one final resource to you: namely, myself. If no facilities near you teach this exercise, and you really want to try it, you can contact me. (All contact information and links are in my Bio at the end of this article.)

Here’s to a fitter, happier, healthier you.

BIO: Steve Grogan has been a practitioner of Wing Chun Kung Fu since early 1995. He started doing High-Intensity Resistance Training in January 2020. At that time, he weighed 241 pounds. By July 2020, he was down to 175.

His passion for the effectiveness of this training method inspired Steve to become a Certified Personal Trainer, which he achieved in August 2022. If you are interested in learning more about High-Intensity Resistance Training and maybe even want to try a complementary lesson (Steve can do them in person or remotely), visit his site: https://cdhirt.com/

You can also reach him in the following ways:

EMAIL          –    cdhirt12180@gmail.com

TIKTOK         –    https://www.tiktok.com/@cdhirt12180

INSTAGRAM      –    https://www.instagram.com/cdhirt12180/

Dave Kelly BJJ

What Should You Expect from Your First Month of BJJ Training?

Beginning your journey in Brazilian Jiu-Jitsu can be a daunting task. There are so many things to learn and remember, and it can be easy to get overwhelmed. Here are a few things that you can expect during your first month of training. If you’re thinking about starting Carlson Gracie Jiu-Jitsu (Brazilian Jiu-Jitsu (BJJ)) training, you may be wondering what to expect from your first month of training. BJJ is a challenging and rewarding martial art that offers many benefits for practitioners of all levels. In this blog post, we’ll give you a glimpse of what you can expect from your first month of BJJ training.

In your first month of BJJ training, you should expect to learn the basic techniques and principles of Brazilian Jiu-Jitsu. You will likely be introduced to a variety of different guard positions, such as the closed guard, half guard, and butterfly guard. You will also learn how to perform common submissions, such as the arm bar, triangle choke, and heel hook. In addition, you should expect to develop a better understanding of leverage and how to use your opponent’s weight to your advantage

1. Month One is About Showing Up

Leverage is a key element of Jiu-Jitsu. It is the use of your opponent’s weight and momentum to your advantage. By using leverage, you can force your opponent to tap out or submit.

There are many different ways to use leverage in Jiu-Jitsu. For example, you can use your opponent’s weight to your advantage when you are on their guard.

In addition, you should expect to develop a better understanding of leverage and how to use your opponent’s weight to your advantage as you progress in your Jiu-Jitsu training program. With time and practice, you will become a master of leveraging your opponent’s weight and momentum to your advantage.

2. Month One is About the Basics of BJJ

In month one of your BJJ journey, you will focus on the basics. You will learn the fundamental techniques and principles of Brazilian Jiu-Jitsu. This will give you a strong foundation on which to build your BJJ game.

During this month, you will learn the following BJJ techniques:

– The fundamental guard positions (closed guard, open guard, half guard, side control, full mount, and back control)

– The fundamental escapes from bad positions (closed guard, open guard, half guard, side control, full mount, and back control)

The fundamental submissions, sweeps, and take-downs are the building blocks of Brazilian Jiu-Jitsu. They are the techniques that all practitioners must learn in order to be effective in this martial art.

While there are many different submissions, sweeps, and takedowns, there are a few that are considered to be the most fundamental.

The fundamental submissions are the chokes, arm locks, and leg locks. These are the techniques that are most effective in submitting an opponent. Chokes are used to restrict the flow of blood to the brain, causing the opponent to lose consciousness.

Arm locks are used to hyperextend the elbow, causing the opponent to submit. Leg locks are used to hyperextend the knee, causing the opponent to submit.

Submission or choke hold is the technique that involves grabbing a neck of an opponent and squeezing the throat to prevent breathing.

Choke holds are simple to perform but can be very effective in forcing an opponent to submit.

Dave Kelly Martial Arts

The Dojo Kun

by Phillip Starr

The training hall oath…recited at the beginning of class by many martial arts schools worldwide.  The oath is a reflection of the values and spirit of the martial discipline which they practice.  When I trained in Kyokushin karate many, many moons ago, we all recited it before every class and to this day, I remember it; “We will train our hearts and minds for a firm, unshaking spirit….”

We were told that we should focus on the meaning of every line and recite the oath with reverence and spirit.  Nowadays, fewer and fewer martial arts schools utilize a dojo kun, even if their particular style has one (some styles don’t) and of those who do, the students tend to repeat the lines of the oath robotically; like a parrot.

The oath is there to remind us of what we are striving to accomplish and why we leave sweat and blood on the training hall floor.  It’s our fault as instructors that this particular aspect of training has fallen by the wayside and been forgotten.  But we can readily find it again and put it to the use for which it was originally intended.  Shall we re-trace our steps back a little distance and retrieve it?

Dave Kelly Martial Arts

How to Piss off Your Martial Arts Teacher

by Yang Shuangxing

Ever wonder what seemingly small, inoffensive things might very well annoy or even genuinely cause your instructor to get fairly steamed?  It’s well to have a good idea regarding these ostensibly innocent things for many reasons…

SHOW  UP LATE FOR CLASS

Showing up a couple of minutes late isn’t too bad, although you’re clearly not interested in warming up or you’re avoiding it.  Fifteen minutes will almost certainly upset your teacher, even if he says nothing.

SHOW  UP  LATE FOR CLASS AND WALK ONTO THE FLOOR

It’s bad enough that you’re late but in a traditional school, it’s customary to stand or kneel (in seiza) at the outer edge of the training area and wait for the teacher to acknowledge you and indicate that you are to join the class.

COME  TO CLASS IN A DIRTY OR WRINKLED UNIFORM

The condition of your training uniform is a clear indication of how you regard your school, your training, your teacher, and yourself.  If it looks like it was on the losing end of an Asian land war, your teacher will certainly take note of it.

DON’T  PRACTICE AT HOME

Didn’t practice at home?  Can’t remember your form?  Believe me, your teacher will notice your lack of personal training within the first 10 seconds of class.  Failure to put in personal training time shows that your training in very low on your list of priorities (if it’s even on the list at all)…AND it shows that you have little regard for your teacher and the efforts he’s made to teach you.

CORRECT  THE TEACHER

NEVER, EVER correct the teacher.  Period.

SIT DOWN TO REST OR GET WATER WITHOUT PERMISSION

NEVER do this without the instructors’ permission.  And never leave the training floor without his/her explicit permission.

TELL THE INSTRUCTOR  THAT YOU THINK YOU’RE READY FOR PROMOTION

Not Ever.  NEVER.

There are easily dozens more ways to tick off your instructor and I’m sure my friends here who are instructors can add many more to this basic list.  I just jotted down a few things that you, as a student, should avoid doing if you plan to survive very long in your martial arts class.

Dave Kelly Martial Arts

DON’T SIT IN YOUR STANCE!

By Phillip Starr

The legendary Tadashi Yamashita (10th dan, Kobayashi Shorin-ryu karate) once said that one of the great “secrets” of karate was in the correct training of stance, but very few people do it anymore. And he is 100% right.

First, we must determine just what is the purpose(s) of a given stance? Think about it for a second, I’ll wait……

First and foremost, a stance is a stable platform from which we can deliver powerful blows (bearing in mind that the platform must be capable of withstanding the force of said blows). Secondly, some stances are stable positions from which we can move quickly and easily in a firm, contolled manner. And that’s it. They do not exist for purposes of aesthetic appeal.

In so far as issuing power is concerned, we must consider the proper (leg) tension that is to be used and there are only two; inside tension and outside tension. Inside tension involves contracting the adductors (muscles of the inner thighs) to “lock” you into place. Styles such as Goju-ryu and Uechi-ryu karate as well as Chinese forms such as Wing Chun (should) utilize this principle a great deal; they are “in-fighting” styles and as such, they must be able to lock themselves into place when delivering close-quarters techniques.

Footwork is what happens in between stances, moving from one to another in various ways. It must be balanced and controlled. But footwork and stances are two separate subjects…

Additionally, stances such as the empty-leg stance (aka., cat stance), the sancai stance found in internal forms of gong-fu, the pigeon-toe stance, and hook stance use inward tension to stabilize the stance.

Outward tension involved tension in the legs in opposite directions. This is used for longer strikes and thrusts. For instance, in the forward stance (aka., zenkutsu-dachi, bow and arrow stance) the front leg presses forward while the rear leg thrusts down and back – opposite directions. This helps stabilize the position and even adds some impetus to the blow.

The only stances that don’t use either inward or outward tension are those that involve standing on one leg only. To create inward or outward tension in a stance, it’s necessary to have BOTH feet planted on the ground.

In any case, you must not simply “sit” in your stance, leaving it devoid of proper tension. I call this a “dead stance” because once you assume such a position, you can neither move as quickly nor strike as powerfully as you could from a properly “loaded” stance. And in a life and death struggle, that can mean the difference between life and death.

Dave Kelly Martial Arts

Teach or Train

By Phillip Starr

    Over the years, I’ve heard several martial arts instructors remark that they like to “work out” in the classes that they teach and/or that they use the classes as their own workouts. I think this is a very bad idea for two reasons…

     First, it cheapens the instruction received by the students.  If the teacher is focused on himself and his own workout, he is not able to closely observe what his students are doing.  If he had to stop periodically to make corrections here and give encouragement there, or explain a particular principle or concept, his workout would be constantly interrupted.  If he really intends to work out, he must be wholly attending to what HE is doing rather than on what the students are doing.

    Secondly, if the instructor allows his personal workout to be constantly interrupted, he isn’t able to focus completely on what he’s doing.  It’s really not much of a personal workout at all.

     Using class as his own training time takes away from the quality of instruction received by the students and also ruins the teacher’s workout as well.

     I have told teachers (who informed me proudly that they simultaneously utilize class time as their own workout time) that they really must stop doing so.  I told them that in class, they should devote themselves to TEACHING and pay attention to the students.  Their own workouts must be conducted separately, on their own time.  Class time is intended for the students.  Period.

Dave Kelly Martial Arts

Rome wasn’t built in a day

TIME AND TIME AGAIN…

by Phillip Starr

The cathedral at Chartres, France took more than a hundred years to build. A whole century! That means that the stonemasons who laid the foundation did so knowing full well that they’d likely never see their work completed. In fact, I’m quite certain that the architects who designed and supervised the work must have realized that they wouldn’t live to see it finished. I like to consider things like this while I’m standing in the checkout line at the supermarket… I understand that the difference between me and these builders from long ago is considerable – not just in terms of the times that’s elapsed between the age in which they lived and the one in which I now live, but also by our vastly disparate concepts of time.

Prior to our modern age, people measured time differently than we do. As little as a hundred years ago, consider the time it’d take you to get a loaf of freshly baked bread (if you’re planning on having it with tonight’s dinner). It’s probably just a matter of minutes to the nearest bakery from which you can buy bread that’s come from mechanically processed grain, machine milling and mixing, kneading, baking, and packaging. As little as a hundred years ago, this all had to be done by hand! So when I say, “I need to get some bread”, I mean something different than what my ancestors meant when they spoke those same words.

We tend to think in terms of hours when we speak of segments of time. For instance, travel is measured in terms of hours. Even our educational system is based on credit hours needed… But the generations before us thought of time in different terms; travel could take weeks or even months! Education back then was generally based on apprenticeships; students of Rembrandt, for example, were required to spend three years just learning how to grind pigments for the paint that was to be used in his studio!

It’s tempting to think that one way of looking at time is better than another; that the “old, slower way” is superior to the “new, instant” way but that’s an oversimplification. Each generation finds what works best for their kinds of lives. Problems occur when we try to impose our concept of time to things of another age. Contractors can now construct a new church in a matter of weeks and that’s fine; what is NOT fine is if they try to convince everyone that it’s as well-built as the Chartres Cathedral. And students of art can graduate after a few hours of instruction but they’re nowhere near being on the artistic level that the old masters were. And martial arts students often feel that after a matter of several hours they can grasp the skills of arts that really require more than a lifetime to fully understand.

Too often, people approach the martial arts with what I call a “modern sense of time.” They feel that after a few months or years of practice, they’re qualified to pass judgement on what works and what doesn’t, and so on. It should be borne in mind that the martial arts that we practice are just that; arts. To “absorb what is useful” requires at least a decade of practice before you can make that determination. At least a decade. If that amount of time seems excessive, it’s likely because you’re applying modern time frames to things that are not modern. Would you expect to be able to paint like a fifteenth-century Flemish master after attending a couple of semesters in his class? Could you even hope to tap into the most basic of his techniques such as mixing paints, preparing a canvas, or applying finishes? And these are just minor aspects…

We’re not even considering the acquisition of his genius for composition, lighting, and so on. Only the most boorish would suppose that they could even come close to the master’s level without decades of training. And martial arts are just like that. Their basics and secrets and subtleties are no less complex than those of fine arts. Yet, many people approach them as if they could be completely understood and appreciated in a few hours.

Ours is the age of high-speed, instant, and “I want it now.” Often, the beginner’s first step in starting training is directed towards restructuring his sense of time. He must work to adapt himself to the constructs of the martial arts and meet them on THEIR unique terms, rather than trying to force them into his own. He may well discover what those that have gone before him discovered – if something worth doing is worth doing well, time is not important.

Dave Kelly Martial Arts

3 Reasons Why Chinese Martial Arts Degraded Over Centuries

by Adeniyi Makinde

If one reads or hears the classics, history, or even stories of the martial arts and the martial artists of old, one would conclude that, when compared with those of nowadays, there is a huge gap in the authenticity.

From the heroics of Shaolin Warrior monks in defending the Shaolin Temple from bandits around the year 610 and helping Li Shimin defeat Wang  Shichong at the Battle of Hualao around 621 to the time of the Boxers’ Rebellion, one would know that martial arts was way beyond feeble and fancy movements aimed to show off acrobatic skills and flair.

Here are my three reasons as to why Chinese Martial arts degraded over the years…

  1. Back In The Day, Martial Arts Were Mainly practiced to Protect Lives And Properties

Just like most present-day practitioners, many martial artists learned for self-defense in the streets. However, In the imperial days of China, robberies, raping and killings by bandits were common so most people sought after learning martial arts and those who could not practice sought for protection in monasteries protected by warrior monks. Moreover, they knew that they could get killed if they weren’t proficient enough so they learned with absolute dedication.

Wars, back in the day, were fought in close combat positions which made most generals fierce martial artists. Men fought for land, power and even women, but in the absence of these dire situations, the sense of dedication will be lacking.

What happens if these dire occasions are absent?

  1. Changes in cultural practices

Martial arts students of old worshipped the masters, they were lords and fathers to their students. Masters take them as their children and even sometimes go as far as changing the student’s last name to his’; we can see this in Jackie Chan’s case in paying homage to his master, Yu Jim Yuen, during his days in Peking Opera, although he had the name Chan Kong Sang, he took stage name, Yuen Lo. Although he later changed back to his biological last name, some of his fellow students didn’t e.g. Yuen Biao and Yuen Wah.

This happened because students took martial arts like life. They didn’t have many ambitions, the martial art was everything.

Nowadays, no student can stand being a puppet to someone all for the sake of martial arts.

  1. Lack of Patience in Learning

Nowadays, most martial arts students want to become masters overnight and martial art teachers are not helping matters. They want to learn quickly thereby creating bunches of “half-baked” martial arts practitioners. Martial art takes time and intense practice. To learn and perfect a form may take more than a year before moving to the next as this is the ethic of martial arts but patience is lacking in most learners of today.

A Chinese martial art classic says, ”Shoulders match hips, elbows match knees, and hands match feet. Capturing is rigid, seizing is flexible. One moves onto weapons after forms. A weapon is an extension of the limbs. When man merges with the weapon, the heart merges with the mind, the mind merges with energy and energy merges with strength. Yin on the inside, yang on the outside. Energy is created from the inside out. You can’t move on without mastering the previous form.”

Take note of the last line in the quote above…

Note: These are reasons that occurred to me. You can add yours in the comment section.

by Adeniyi Makinde, freelance writer

”Adeniyi is both a martial artist and a writer. He was influenced by Jet Li, and grew up loving Chinese martial arts though he didn’t get the chance and opportunity to learn from childhood. He luckily met a kindhearted teacher who saw his passion and love for the art and has been teaching him for the past seven years till date.”

Dave Kelly Martial Arts, Master & Schools

Essentials of Rest and Recovery at Martial Arts Camps

Here’s my latest article on the essentials of rest and recovery. Check it out.

Rest, and recovery are critical components of any successful training program at an intensive martial arts training camp. In my experience it is a component under-utilised in intensive training environments. Students want to get the most out of their time, so push hard. In this article I discuss the ‘Essentials of Rest and Recovery at martial arts training camps’.

Rest to enhance performance

As a way to enhance performance rest and recovery is too often overlooked. Understanding the difference between rest and recovery and how to properly implement them both is the key. If you’re training 5-8 hours per day for 5-6 days a week, you have to consider how sustainable that is. Making the most out of your rest, and recovery time is essential. If you define rest as a combination of sleep, and time not training then the quality of your sleep, and the time you spend not training will be critical. With many full-time martial arts schools packing their timetables with morning, afternoon, and evening training sessions. How you sleep, and spend the time in-between these classes is even more important.

Read More

Dave Kelly Martial Arts

How Martial Arts Gives You The Confidence To Honestly Express Yourself 

Legendary actor and martial artist, Bruce Lee, once stated that ‘martial arts means honestly expressing yourself.’ During his short life span, Bruce Lee blessed us with several timeless truths that are applicable not just to martial arts, but to life in general. The practice of martial arts, according to Lee, does not simply entail learning how to fight better; rather it means understanding your being in a more holistic way, and thus being able to express yourself better and more honestly. To express oneself honestly means having the confidence to go against the fear of being judged by others. This confidence is developed through martial arts training in two main ways.

Skills Self-Confidence Leads To Overall Self-confidence

When you begin training for martial arts, you will discover that with time, you become self-confident in the specific martial arts skills that you’re learning. For example, if your primary goal was self-defense, you will become confident in the skills you have learnt to defend yourself. Indeed, self-defense comes from skills and confidence. After martial arts training, you will have confidence in your ability to execute specific martial arts techniques in the correct way and with the correct timing. With time, this skills-confidence will translate into overall self-confidence. When you become self-confident, your possibilities for integrity and autonomy are expanded, meaning that you will be able to express yourself more honestly without fear of being judged. This can mean doing something you have always wanted to do but were held back from through fear or lack of confidence. It could be starting a new personal business, taking a world trip or getting an extreme tattoo, such as the face tattoos which have recently become a common trend amongst rappers. These are all means of honestly expressing yourself without fear of judgement. Undoubtedly, honest self-expression by standing up for yourself and doing things with confidence is critical in a society that is always judging us. Martial arts training greatly aids this cause.

Discover Your Strengths And Weaknesses And Work On Improving Them

Through martial arts, you will be able to honestly assess your strengths and weaknesses, and will have an opportunity to work on both. At first, this will relate to elements such as physical strength, agility and speed. However, martial arts is different, in that it will give you both freedom and a non-judgemental avenue to work on both your skills and weaknesses, and make improvements in any way that you choose. This is especially true once you find the perfect style of martial arts for you: the one that best fits with your personality, whether that’s karate, Brazilian jiu-jitsu or MMA. You will be able to honestly express yourself, not just on the mats or inside the dojo, but also in life, where after discovering your strengths and weaknesses, you will possess the confidence to improve yourself in an honest way, and then similarly express yourself without fear of judgement.

We live in a significantly judgemental society, and having the confidence to express yourself honestly can go a long way in helping you live a happy and fulfilled life. Training in martial arts is one of the best ways to acquire this confidence.