Martial Arts Focus: Kron Gracie

Kron Gracie is the youngest son of the legendary Rickson Gracie, the whole Gracie family are probably the most well known family in the world of JJiu Jitsu. The Brazilian fighter has continued on his family and country’s tradition in the emotional evolutionary martial art.

Kron shows the best chess like strategy approach to Jiu Jitsu with skilled maneuvers and angles that represents the purer movements of the martial art.

Learn more from the source by clicking the link below.

Source: Martial Arts Focus: Kron Gracie

YANG STYLE TAIJI SWORD ACCORDING TO YIN QIANHE

I have but little talent and shallow learning, and my skill level is quite inferior. How could I presume to make books and invite ridicule from experts? It is simply because the great benefit I have received from martial arts I would not dare to keep to myself. I want to share it with my compatriots throughout the whole nation, particularly those who are weak or often ill. With constant practice, martial arts can turn the weak into the strong. As I do this out of a mentality of self-love and caring for others, I have roused my courage in hopes that my small efforts will bring about a large benefit.

When I was young, I was constantly ill. Once I became an adult, I was still frail and weak. Medicines had been having no effect, to the great anxiety of my parents, but in our town there was a Fu Tingjia, who was an expert in martial arts, so they asked him to give me instruction. After just a year, all my chronic ailments had quickly been cured, and I was also inspired to take it further. At that time, the well-known Taiji expert An Dingbang was teaching at the Beijing Health & Fitness Society, so I left home to approach him for instruction. His skill was exquisite, his teaching method was systematic and patient. I trained hard from morning to night, feeling blessed to have access to such teachings. My strength grew to abundance and I had been transformed.

Follow the link to learn more……

Source: YANG STYLE TAIJI SWORD ACCORDING TO YIN QIANHE

An Family Martial Arts School

Here is our latest StudyMartialArts.Org Video. In this video you’ll see footage from our visit to An Wushu Family Martial Arts School.

An Wushu International Martial Arts School is a kung fu school steeped in family tradition. Located in Prefactured City of Dezhou within Shandong Province the school is just two hours from the capital Beijing by fast train. Dezhou and the School is therefore easily accessible for those wishing to experience traditional Chinese martial arts training.

The school offers both full-time and part-time classes to both Chinese and international students with the international students primarily being taught by An Jian Qiu.

Teaching at the school takes place in a picturesque setting and there is both indoor and outdoor facilities. This school offers a warm welcome to those who are serious about studying martial arts and learning about Chinese culture. Recent improvements to the school mean that it can cater for long term students providing both accommodation and food.

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Manjianghong Fist

This modern wushu form in the video below was created by Jet Li in 1989 and is based on one of his favourite poems Man Jiang Hong.

Mǎn Jīang Hóng (满江红; literally means All are red in the River) and it is the title of a set of lyrical poems sharing the same pattern. If unspecified, it most often refers to the one normally attributed to legendary Song Dynasty general and Chinese national hero Yue Fei.

Man Jiang Hong

My wrath bristles through my helmet, the rain stops as I stand by the rail;

I look up towards the sky and let loose a passionate roar.

At age thirty my deeds are nothing but dust, my journey has taken me over eight thousand li

So do not sit by idly, for young men will grow old in regret.

The Humiliation of Jing Kang still lingers,

When will the pain of his subjects ever end?

Let us ride our chariots through the Helan Pass,

There we shall feast and drink barbarian flesh and blood.

Let us begin anew to recover our old empire, before paying tribute to the Emperor.

(Traditional Chinese Original)

满江红

怒发冲冠,凭栏处、潇潇雨歇。

抬望眼,仰天长啸,壮怀激烈。

三十功名尘与土,八千里路云和月。

莫等闲,白了少年头,空悲切!

靖康耻,犹未雪;

臣子恨,何时灭?

驾长车,踏破贺兰山缺!

壮志饥餐胡虏肉,笑谈渴饮匈奴血。

待从头,收拾旧山河,朝天阙!

Seasons Greetings!

This Christmas our gift to our SMAblogger subscribers is $100 usd Off Learning Kung Fu in China!

This offer will last until January the 25th, 2016 and is applicable for selected martial arts schools in China.

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An interview with Marc Meyer the writer of Taichi: The Story of a Chinese Master in America

Last month I had the pleasure of interviewing Marc Meyer a writer, martial artists and musician about his latest book Taichi: The Story of a Chinese Master in America.

Marc’s novel tells the story of a man who leaves China in the early 1960’s to open a T’ai Chi school and reconnect with his Asian American family in Chinatown, New York City. The main character in the story was once the bodyguard of Mme Chiang Kai Shek. It’s bright red cover below spells out the words T’ai Chi Chuan in Chinese pictograms. And the novel is a must read for lovers of tai chi  and Asian American fiction alike. It was inspired by the legendary T’ai Chi grandmaster Cheng Man-Ching and his American students during the period of the 1960’s in New York City. It tells of a time, years before the advent of Bruce Lee movies, when the Kung Fu art of T’ai Chi Chuan was first introduced into the United States and was secretly practiced only in small enclaves of America’s Chinatowns.

Marc can you tell me little about your book? And some of the Characters in it?

Allow me to reiterate my book is a work of fiction.  As you are possibly aware, authenticity when it comes to T’ai Chi Chuan in and of itself is a murky business, due mainly to the fact that much of the teaching we have was passed down to us orally by it’s forebears. Very little about it was actually written down. Many of the forebears of T’ai Chi chuan were illiterate and its origins go back several thousand years. This makes the art form somewhat mysterious which is actually what I like about it. I’ve found Douglas Wyle’s books to be one of the more reliable sources of reference when it comes to the origins and practice of T’ai Chi Chuan, specifically Yang style which I practice and one that I draw upon recurrently in my book. Specifically on the subject of Yang style T’ai Chi which I’ve been practing and studying for the past 18 yrs. Let me stress that study and practice of T’ai Chi should occur simultaneously and continuously for the dedicated teacher.

In the book, a T’ai Chi master named Kuo Yun San leaves mainland China in the 1960’s for what he thinks is the last time. His goals are simple, he envisions opening a successful T’ai Chi school and strengthening the bonds between himself and his Asian American family in Chinatown with whom he has had little to no communication in years.  The results are surprising as Master Kuo finds himself trading one Cultural Revolution for another and his newfound friends and family members, thinking they were going to educate him into adopting an American lifestyle, find he has more to teach them.

From some of the details in your book its obvious you have a solid martial arts background. Can you tell me about your own martial arts experience? 

I came to T’ai Chi Chuan through the back door in a sense. A dining club my girlfriend and I belonged to offered lessons in T’ai Chi on the beach where I live in Naples Florida as one of the perks of its membership. Fortunately for me, though I didn’t know it then, both instructors who taught this class had been students of Bob Amaker, a resident of Florida who co-authored books with Cheng Man-Ching. Cheng Man-Ching was one of the main proponents of Yang style T’ai Chi Chuan in this country. I subsequently went on to receive what’s known as form correction from Lawrence Galante, a student himself of four T’ai Chi Chuan grandmasters, Paul Guo, Yu Chen Hsiang, TsunTsai Liang and Chen Man-Ching. I received final instruction from a first generation student of Professor Cheng as he was called, from Maggie Newman, one of his last living pupils in 2006, then in her mid eighties.

In your book you discuss the student teacher relationship. Can you tell us a bit more about where that inspiration came from?

It’s my firm belief that every teacher involved with T’ai Chi has something to contribute to the student’s education, although many times the approaches can be radically different and often make a student doubtful about the quality of instruction that he or she is receiving. If you are getting instruction from someone in Taichi you’re unsure about, my advice is to be patient and hang in there. Looking back you may find what they had to teach gave you useful insight even if you didn’t think so at the time. For example one of my teachers had a very holistic and somewhat esoteric approach but I learned much from him about some of the more mystical aspects of T’ai Chi I might not otherwise have been privvy to. Another was very “nuts and bolts” about his approach but taught me the kind of accuracy that is absolutely essential for the study and practice of the art. I actually recommend that if you intend to take up T’ai Chi as a practice, that you go out of your way to learn from different teachers because you can often come away with a rounder and more beneficial education from doing so. Remember if you take up the practice of T’ai Chi you’re in it for the long haul. It can take up to a year to learn just one single form properly and up to ten years to learn it as an applicable martial art. “It’s all about the journey” sounds cliched but in the case of T’ai Chi it’s absolutely true and ongoing. You’re constantly perfecting and polishing that stone every day week, month and year of your life, which for me has turned out to be a blessing and one of it’s most cherished aspects.

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The book mentions a number of important martial arts milestones. Can you share a few of the most important ones?

Another one of the more interesting perspectives of this fascinating, mystical and multi-faceted art is its tendency to tailor itself individually to the practitioner. For me it has offered something of use from a health standpoint at almost every age related juncture of my life since i began practicing it in my early forties. In my forties I struggled with the onset of tinnitus, a horrible and constant high pitched ringing in the ears. T’ai Chi helped to calm me down, calm my anxious feelings about it and sleep better. After I found I could sleep more easily, the problem didn’t seem to bother me so much during the day and has finally faded into the background to the point where I don’t even notice it anymore. Another more serious problem developed when I turned sixty called Neuropathy. Another constant painful nerve related chronic disease which had equilibrium problems as one of it’s symptoms. It has taken a full year but thanks in part to Taichi I have been able to manage my symptoms and get them under control. When the doctor later asked me if if I wanted to take a class in learning how to keep my balance to prevent myself from falling I was happy to tell her “I TEACH balance!”.T’ai Chi Chuan is literally the gift that keeps on giving.

Finally, what’s next for Marc Meyer?  Do you have other books in the pipeline?

I have at least three more novels in me that I have begun working on simultaneously. One is a memoir, one is about an elderly batchelor who finds his way toward the end of his life and one is a young adult novel about five very unusual preteens in the possesion of individual healing powers. Of course getting ideas is easy, setting them down in a readable form that will capture an audience’s interest is very hard.

You can find Marc’s book here by clicking the amazon link  to the left. Any purchase you make via the affiliate link we will put back into www.StudyMartialArts.Org in order to help more students connect with genuine Master of Martial Arts.

 

Can you become a true fighter without great sparring?

by An Jian Qiu,

If you ask any Muay Thai coach… no!

If you ask any Boxing coach… no!

But if you ask some kung fu teachers… the answer is yes?

There are many kung fu schools nowadays who practice applications in a slow, controlled way. This is a great strategy for beginners, who are still learning the movements, but it simply won’t turn you into a real fighter who can compete or defend themselves:

The difference between applying a technique slowly to a willing partner and using a technique in a stressful, high-speed situation is like night and day.

At An Wushu, we believe sparring is of critical importance. A student following our standard schedule performs Sanda (Chinese kickboxing, a mixture of punching, kicking, wrestling and takedowns) 5 days a week: 3 long sessions to build skills and 2 shorter ones to refine them. Most sessions include some sparring and reaction drills.

There are 3 primary reasons for this:

  • There has never been a Grandmaster or Master in the An Family who did not perform true sparring – full speed, full power, trying to overcome an opponent who’s trying to do the same to you
  • There is a difference between moving fast, which you can develop by (for example) hitting a bag, and reacting fast: your ability to see the micro-movements in your opponent’s body and attack them before they can attack you!
  • Imagine you are a champion boxer and are put in a fight with a wrestling champion: very likely, you will hit them often, but they will throw you often, because while you both are very skilled, you may not be used to defending that style of attack. In our current age, most opponents you face will be a boxer, MMA fighter or street fighter. If you haven’t trained these attacks yourself, you won’t see them coming.

At the end of the day, it’s scientific fact that the body develops specifically:

  • If you lift light weights, you won’t be able to lift heavy weights.
  • If you run slowly, you won’t get better at training fast.
  • If you don’t stretch, you won’t become more flexible.

And if you don’t spar… you won’t become a real fighter.

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An Jian Qiu, is the headmaster of An Wushu International Martial Arts School in Dezhou, Shandong Province, China.

For further information on studying at An Wushu or other traditional martial arts schools in China visit www.StudyMartialArts.Org 

Yang Family Fajin

by Sifu Adam Mizner

The idea of fajin is highly debated in Taijiquan circles, where some consider it the be all and end all of taiji quan skill, while others who have never experienced it, consider it a fallacy. In truth, fajin is a fundamental method of taijiquan.

No matter what one might think or argue, the fact remains that fajin is a standard part of the tai chi chuan skill set and has been practiced and developed by tai chi masters since the founding of the art until present day.

Below are excerpts from an article by Li Ya Xuan, one of the top students of Yang Jien Hou and Yang Chen Fu, on Yang family fajin.

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1. “Yang Lu Chan’s fajin was empty, leaving the opponent not knowing what happened or how the jin was released. His jin was so perfected as to be called mysterious.”

2. “Yang Ban Hou’s fajin was SUDDEN, like lightning without rain, emerging from nowhere with the sounds of «Pa!». One fajin would send the opponent out many zhang ( 1 zhang = 3.3 meters). His jin would leave people in pain and injured.”1. Yang Luchan 2. Yang Ban Hou 3. Yang Jian Hou 4. Yang Shou Hou 5. Yang Cheng Fu

3. “Yang Jien Hou would use the lightest of touch, his sticking energy was so high that people could not disconnect, then they would be suddenly released like an arrow from a bow.”

4. “Yang Shao Hou’s jin was ever spontaneous and song to the extreme, fast beyond compare. His body skills were mysterious and treacherous like a ghost appearing and reappearing, fooling his opponents so they would have no idea what was happening or how to defend themselves until they had fallen to his jin before even knowing it.”

5. “Yang Chen Fu’s fajin was powerful with great sudden dantien force. Before he would fa there was a deep intention; when he would fa it was like Guang Gong taking off a head with a single stroke…”

6. “Wu Hui Chuan used song elastic energy preferring to use just a little jin to send his opponents out, he did not lose face as a student of the Yang family. His students could produce long jin, both song and sunk, not bad.”

7. “Cui Yi Shi was skilled in fajin both song and sunk. Before he would fa he would inhale one time and use the elastic jin. His jin was song and springy, propelling his opponent away. On release the jin would cause the opponent to release a sound from the mouth as the wind was knocked from them. This is the kung fu of the qi striking the qi.”6. Wu Hui Chuan 7. Cui Yi Shi 8. Li Xiang Yan 9. Dong Ying Jie 10. Zheng Man Qing 11. Tian Zhao Lin 12. Li Ya Xuan

8. “Li Xiang Yan in his youth studied and trained deeply in long fist, after which he followed Yang Feng Hou taijiquan and achieved great gong li. He was dedicated to study and practice and achieved jin that was full and hard, penetrating deep inside the opponent. Later he bowed to Yang Chen Fu as his teacher.”

9. “Dong Ying Jie liked to use Rou Cou Jin, pressuring his opponent from side to side, forward and back until they fell defeated.”

10. “Zheng Man Qing would use light touch and clean sticking energy, entering close with his body before firing the opponent out with jin. He was small but had kung fu and courage and was skilled at penetrating the defense of his opponents.”

11. “Tian Zhao Lin’s kung fu was soft and penetrating, breaking his opponents as they were knocked down, amongst other skills.”

12. “I myself Li Ya Xuan use many strange changes, making it difficult to follow. The jin is fast like lighting. I don’t like to just play sticking and circling.”

As a picture is worth a thousand words and a video worth a thousand pictures, here are some videos of past taiji masters demonstrating fajin,

Wang Yong Quan – student of Yang Jien Hou, Yang Shao Hou and Yang Chen Fu:

Dong Hu Ling – son of Dong Ying Jie:


Ma Yue Liang
 – Student and step son of Wu Jian Quan:


Fang Ning
 – student of Cui Yi Shi:


Yang Jien Hou
 said:

When you hit people with Fa Jin it must cause both your opponents feet to leave the ground and jump back. They should feel pain on both feet (because of jumping) but not on the contact point, they just feel it as soft and fast. This is correct!! “

We can see examples of this correct fajin in the videos above as well as demonstrated by some present day teachers. Real taijiquan fajin is not lost.

Translation: Adam Mizner, from Thai, with assistance from 梁德华, the original translator from Chinese original article from 杨氏太极拳诠真 by 陈龙骧

Works cited: Chen, Long Xian. Yang Family Tai Ji True Transmission. Beijing: Beijing Physical Education University, 2008. Print. 陈, 龙骧. 杨氏太极拳诠真. 北京: 北京体育大学, 2008. 打印

This article was written by Sifu Adam Mizner. 

Sifu Adam Mizner teaches Yang Style Taijiquan (Tai Chi Chuan), in the tradition of Huang Sheng Shyan and Yang Shao HouWith his Discover Taiji online training programme you will find one of the most complete and powerful traditional Tai Chi Chuan systems available today.  The programme openly provides all of the tools, methods and training secrets his personal students at the Heaven Man Earth Taiji school have been enjoying.

Want to be a kung fu master? Stand on your head for hours and sleep on a plank

Interview by  from the Guardian

Londoner Matthew Ahmet left school at 16 to learn kung fu at China’s famous Shaolin temple. After years of gruelling training he now makes a living from performing with the monks around the world

I have always loved martial arts. Growing up I was inspired by Bruce Lee movies and I began training at the age of six, studying karate, win chung and others. Then when I was 11 the Shaolin monks put on a UK show for the first time. Seeing martial arts on TV was one thing, but seeing these guys perform incredible feats – such as a one-finger handstand – just blew me away. It gave me the long-term dream to want to travel to China and make martial arts my livelihood.

When I was 16 I decided to move to China. School wasn’t necessarily negative but it wasn’t challenging me and I felt bored. I was doing well but every year I was counting down the days until the chance I could pursue martial arts. I was always told to wait and that it was going to get better – but I just didn’t feel like it was the right path for me.

Shaolin temple training

When I arrived at the temple, I was thrown in the deep end. Straight away you’re waking up at 5am and training 10 hours a day. It’s very intense and the level of discipline and focus is extremely different to what we’re used to in the UK. It’s strict with a lot of punishment. If you’re not lined up on time in the morning, you get beaten with a stick. I didn’t see any abuse but I did see a lot of discipline. Everyone knew that if they stepped out of line they would be getting punishment. It was either some sort of beating, or you were made to hold a headstand on concrete for hours on end. Which is extremely painful. So that aspect of it was shocking.

It was a culture shock. In western cultures, it’s all about looking good and feeling good – but in eastern cultures it’s about being the best you can be. Everything was about how you can get rid of that ego. In the UK I had everything – PlayStations and TVs – but I didn’t even make my bed. In China I had nothing. My thin bed was just a plank of wood with bed sheets that had to be folded every morning. Living like that at the start was challenging. Forget the training, just the lifestyle change was immense.

I never wanted to leave, but I did miss home. You get lonely at the start, but what kept me going were the others training alongside me, some of whom were as young as five years old. When I was struggling to balance a handstand, I would look to my left and see two five-year-olds just holding it. They were also in pain, but their focus allowed them to push through it and achieve their goal. There were times when I felt like giving up, but I think being in that community motivates you. It’s a very close relationship – you live, sleep and train with these guys. They’re your brothers.

When I started to do small performances around different provinces in China, I felt like I’d made it. I had always wanted to become a Shaolin monk and now I was living in the temple and learning their philosophy. It really felt like the pinnacle of my journey.

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My career highlight was appearing in the Wheel of Life show. It was just incredible because that was the same show that inspired me when I was young. And 10 years later my wheel of life had continued to turn and I ended up being in the very same show. So it really touched my heart and gave me focus and passion for what I was doing.

Kung fu is something that anyone can put their mind to. All you have to do is remember that without struggle there is no progress. It’s not going to be easy, but with hard work and dedication you can achieve anything.

If you want to become a Shaolin monk, you can’t rely on your teachers. You personally have to give it 100% and make it happen. And don’t listen to anyone who tells you no or gives you any negativity, they will be the same people congratulating you 10 years on.

Matthew Ahmet is a London-born practitioner of Shaolin kung fu, and performs shows with the Shaolin temple worldwide. In 2009 he set up the Shaolin temple Cheshunt, home to the Shaolin Warriors London.

Original article – http://www.theguardian.com/careers/2015/nov/03/want-to-be-a-kung-fu-master

Fascia. What is it and why should I care?

by Luke Sherrell / Director of Operations class

AMN Academy

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What do you think is more important, Strength and Power, or Coordination and Flexibility?

It depends on the goal I hear you cry! Plus, how strong or how flexible are we talking here? There is a big difference between achieving box splits when compared with touching your toes or bench pressing 200kg’s vs nailing a pull up.

These are fair comments so let me put this another way. If you could be naturally gifted with strength and power or coordination and flexibility, which would you choose?

In the absence of specific goals, the way I’d answer this question is to consider which of the movement qualities are the most difficult to acquire? Without wishing to upset vast numbers of strength and conditioning enthusiasts and coaches, having worked with hundreds of clients for many years, I am inclined to say that it is a simpler process to gain strength and power than it is to become more coordinated and flexible!

Note that I said simpler and NOT easier.

The pursuit of high levels of strength is hard work but if you utilise a progressive training system that involves the manipulation of intensity (load) and volume, over time, you will get stronger. If you also practice moving quickly while applying force, you will become more powerful. I would also like to point out that depending on the individual, the constant pursuit of these two qualities exclusively is often to the detriment of overall movement quality.

Flexibility, mobility and coordination are a little more complicated to acquire. Gaining large increases in flexibility for example is such a long and slow road that many trainers simply don’t include it in their programming. If a client came to you and said I want to become more coordinated, it would be understandable if you felt a little out of your depth. You would first need to understand why the individual is poorly coordinated, which systems to stimulate and which sort of movements are appropriate.

In the world of body weight training, people who are coordinated and flexible require less strength. They have the capacity to manipulate their bodies into angles of leverage that are advantageous instead of fighting against their own tensions and having to muscle their way through things.

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Effortless coordination also suggests that someone also has a highly developed motor system. The peripheral nervous system, cerebellum, pre-motor and motor cortices are well educated, they have a large movement vocabulary, or as I like to call it they have a high level of Movement Intelligence.

So are the elusive skills we speak of more important than strength and power? That really is open to debate, a debate that I do not wish to get in to at this stage. Maybe it’s not that coordination and flexibility are vastly harder to achieve, rather most trainers are less comfortable with how to coach these qualities.

In the AMN system, skill work is the expression of all four qualities and I would like to make a case as to why we should start looking at skill movements as viable exercise options for clients.

Stuntman Olympics 

If there was such a thing, I would be there to watch every single year because of all the athletes I’ve worked with, stuntmen are simply the most awesome.

To be a successful stuntman in modern movies you need to be able to perform:

Acrobatics

Martial Arts, Gymnastics, Parkour, Tricking, Diving, Deep sea diving and Swimming and at some point become comfortable with explosions and being set on fire. These guys are the most impressive athletes I’ve ever seen and their movement skills completely eclipse those of traditional sports.

Our skill based movement system is designed to give the novice trainee, that’s the vast majority of personal training clients and with all due respect, most trainers, somewhere to start learning skill based movement. But its not just friend impressing awesomeness that is up for grabs here.

Skill work combines the expression of strength, power, coordination, mobility, flexibility and balance. There are untold benefits to this kind of movement neurologically but in an industry obsessed with mechanics, many will be pleased to hear that its pretty good for the fascial system too.

Fascia is not simply a mechanical system, far from it! In fact there is no part of the human that is simply mechanical.

Fascia

Fascia has had a pretty big push in the manual therapy and Health & Fitness literature over the last 10 years or so, putting it right at the top of the most popular and often talked about tissue in the human body, and quite rightly so, it’s very important and influential stuff.

Fascia is the primary connective tissue of the body and has many recognisable guises such as ligaments, retinacula, tendons, aponeuroses, fascial bands, plura, meninges, perimysium, epimysium and even the pericardial sac. It is the very fabric that makes the body one single unfathomable piece of genius engineering!

There are a several fascial researchers and therapists whom I greatly respect. Luigi Stecco of Fascial Manipulation is one of them;

Fascia, what is it?

“In medicine, it has always been considered to have a mere function, or role, of containment or restraint, a type of packing material. In recent times, this view has changed somewhat. Fascia actually extends within the muscle, via the perimysium and the endomysium. This continuity means that the contraction of each single muscle fibre transmits to the deep fascia, or the outer most layer of muscle compartments. It is now thought that the fascia could be considered as a conductor of an orchestra playing a symphony of movement, where it synchronises the crescendo of some muscles and the diminuendo of others. The result is harmonious motion.”

Interview of Luigi Stecco by Massimo Ilari

Since some very smart surgeons and anatomists realised that fascia may be more than just the white stuff you need to cut away to get to the muscles, research and hypotheses have come out thick and fast. While some of the claims of fascial based manual therapy techniques may still be unsubstantiated, one description of the fascial system seems to hold true.

Slipping and Sliding 

“Musculoskeletal dysfunction is considered to occur when muscular fascia no longer slides, stretches, and adapts correctly and fibrosis localises in the intersecting points of tension, known as cc and cf. Subsequent adaptive fibroses can develop as a consequence of unremitting non-physiological tension in a fascial segment”.

A Pilot Study: Application of Fascial Manipulation(c) technique in chronic shoulder pain – Anatomical basis and clinical implications. By Day JA, Stecco C, Stecco A (JBMT, 2009)

Whilst I would add a few different and influential factors to explain musculoskeletal dysfunction, I accept the fact that the fascial system works optimally when it is mobile.

Form follows function?

Is a principle associated with modernist architecture and industrial design in the 20th century. The principle is that the shape of a building or object should be primarily based upon its intended function or purpose

We’ve all heard this phrase used within the health and fitness industry to promote a term I hate; ‘functional training’. Well, I don’t really like this statement about form and function either. In an evolutionary sense and with regards to movement, the function of the body was to be capable of interacting effectively with the environment.

Walk, Run, Jump, Hunt, (fight), Climb and Swim : Adaptable Locomotion 

A hypothesis as to why we have such incredibly powerful brains is due to our capacity for complex motion, the variance of the environment and a necessity to be able to predict outcomes of such interactions so as to promote our survival.

These days, the function of the human body is having the freedom and potential to do whatever we want with it. Our form, our design if you will, affords us near limitless movement potential.

Move in a manner that promotes and integrates our form and improved function will follow

Move in a manner that over simplifies our form and function can degrade

Collagen

In response to regular physiological strain, collagen, the basic compound of our connective tissues adapts by altering its architectural properties to meet the imposed demand.

In healthy subjects 50% of collagen fibrils are replaced annually as part of the natural cycle of cellular life. There are hypotheses to suggest that certain movement practices can influence this cycle so as the renewal process promotes improved extensibility, hydration and sliding of fascia which is displayed via increased mobility through open joint angles.

As ever I shall point out that fascia is not alone in this process. In fact it is the proprioceptive sensory system that does the learning, the tissues do the adapting. 

If you’ve ever been amazed, annoyed or both at how incredibly mobile kids are, don’t worry. The example thrown around comparing adult mobility to that of a toddler is plain stupid and in fact, it annoys me! The connective tissue matrix of a child is structurally different to that of an adult. The collagen structure of a child is more undulating, making it naturally much springier. The elderly show fascia that is much flatter and less responsive and there’s even variability in these qualities from person to person.

My 3 year old may have a pretty sweet looking straddle with no training but ask him to jog on the spot as silently as possible and he’ll bash around like a baby rhino.. He may have springy fascia but it’s not all its cracked up to be without motor control!’

Whether it’s been proven in a lab or not, (and apparently it has been) anecdotally we see it all the time. Tissue extensibility improves with the right kind of movement practices. It’s no coincidence that the connective tissue AND nervous systems of Capoeiristas, Gymnasts and Dancers allow them to move with grace and fluidity through full ranges of motion and those of your average weights trainee does quite the opposite.

How we choose to move is important. 

Counter movement and elastic recoil

As if learning to be awesome wasn’t enough! The pursuit of athletic drills and movement skill practice is right on the money to enhance the energy store and release capacity of fascia.

The elastic storage capacity of fascial tissue can be enhanced with correct practice. When performing an athletic warm up we kick shoes off and coach clients to stay on the balls of the feet. We advise that ground contact time should be minimal and they should aim to be as quiet as possible.

Becoming fast and reactive through the lower limbs is a product of training. It strengthens the feet and goes a long way to improving athletic movement in ball sports such as tennis and squash. Some have it naturally while others have to earn it, but it can always be learned and improved.

The energy returning, recoil extensibility of the connective tissue matrix is subconsciously utilised any time we ever jump, throw or kick a ball, it’s also present in just about every one of the dynamic skill movements we provide in the fundamentals.

Flexibility

Flexibility is not gained with a single approach. It is the net result of several complimentary practices of which movement skills like cartwheels, handstands, rolling, athletic drills, bridges and scoots are part of.

With this in mind, let me conclude this article with another question.

“What is more useful and rewarding for you and your clients?”

1. Learning to move in complex patterns that build strength, mobility, coordination, are in tune with our form, improve the brain by engaging in the process of learning and make you look awesome at house parties?

Or 

2. Generic dumbbell rows and chest presses?

I’m a bit biased so I’ll leave you to decide on that one. 

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